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31 Shows Sold Out in 48 Hours: The Rise of KATSEYE’s Global Tour

Daniel Kim Views  

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K-pop girl group KATSEYE has added extra dates after selling out every show on their first North America and Europe tour.

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On the 27th, HYBE–Geffen Records said KATSEYE’s THE WILDWORLD TOUR sold out its previously announced run — 27 cities across 10 countries. Although the tour is larger than their last, every ticket was gone within 48 hours of sales opening.

KATSEYE added one extra show in London on Sept. 4, at Belmont Park on Oct. 25, in Los Angeles on Nov. 22 and in Mexico City on Nov. 28, expanding the tour to 31 shows across 27 cities in 10 countries.

THE WILDWORLD TOUR launches on Sept. 1 in Dublin, Ireland, and then moves through major European stops including London, Manchester, Paris, Amsterdam, Cologne, Antwerp and Copenhagen.

In October and November the tour shifts to North America, with dates in Miami, Atlanta, Charlotte, Washington, D.C., Belmont Park, Boston, Montreal, Hamilton, Detroit, Chicago, Minneapolis, Austin, Dallas, Las Vegas, Seattle, Oakland, Los Angeles, Phoenix and Mexico City.

The run is expected to showcase the live prowess KATSEYE has developed on major stages; the group has performed at events including Lollapalooza (Chicago and South America), Coachella and the Grammy Awards.

Following the Aug. release of their third EP, WILD, the group plans to include new material in the set.

On the 25th, ahead of the sellouts, KATSEYE took home three trophies at the American Music Awards, one of the country’s biggest pop-music award shows.

They won New Artist of the Year, Breakthrough Pop Artist and Best Music Video for “Gnarly.”

Their streaming and chart momentum has continued. “PINKY UP” placed No. 51 on the Official Singles Top 100 for May 22–28, marking its sixth straight week on the chart.

“Touch,” released in July 2024, climbed 14 spots to No. 84 on the same chart. On Spotify’s Weekly Top Songs Global for May 15–21, “PINKY UP” ranked No. 120 and “Gabriela” No. 143; “Gabriela” has remained on that chart for 48 consecutive weeks.

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Daniel Kim
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